Client: “Oh, and we need a music bed for this presentation by tomorrow morning.”
Me: “….”.
Client: “Since its for a tradeshow, and will be looping the entire time, something simple and non-intrusive would be best.”
So I whipped this together and went straight to bed (I’d already been up 24 hours). It’s extremely simple. Stylus RMX + Omnisphere + EXS24 = percolating noises. Apparently I’ll get the chance to expand on this soundtrack once the presentation is converted into a stand-alone piece, complete with audio narrator, at some point in the future. At that point maybe I will post the whole presentation with the actual soundtrack, etc. Until then, this was a “fire and forget” project.
This is a sketch that was one of several options presented to a client. I think this track would work great behind underwater footage, like an ocean documentary or some sort of travel-channel scubafest.
Speaking of underwater - why don’t they rerun more of the old Jacques Cousteau specials on TV these days? Especially considering the popularity of movies like The Life Aquatic, which are obviously riffing on the JQ legend. Sidenote: can you believe that movie came out in 2004 - 5 years ago? How time flies…
Tools used on this track: Logic, EXS24, Spectrasonics Omnisphere & Stylus RMX.
This is a proof-of-concept / idea I submitted a while back, to a friend who is working on a very exciting video project. Since the piece I am posting here was recorded, we have improved on it, but I wanted to keep the original version around for posterity.
Bonus points to anyone who can guess what late 70’s TV show inspired parts of this music and melody.
When the project is finished, I will embed it on this site, along with all the info, credits, etc.
Recently he posted a video to Vimeo that he made using the new Canon 5SD MkII camera - a new camera that can shoot high-definition video as well as still photography. Since it was released under a Creative Commons Attribution license, I took the liberty of creating a score for the sequence. Read the rest of this entry »
This is somewhere between a soundtrack and a soundscape, with little percussion / beats, and a sort of wandering structure that unfurls towards the end. I am no Brian Eno (although I am a fan of his), but I do like the ambient genre now and then. There is something psychologically liberating about working on a track once I’ve decided that it is evolving into an ambient thing, like at that point I can basically do anything I can think of.
In this case, that included appropriating a bit of Carl Sagan. The end result is something you might be able to listen to as you fall asleep.
